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For score purchases and rentals, please contact me by email (matthewlam7854@gmail.com)

Orchestral

Grains (2024), for orchestra

Our War (2022), for orchestra 

Planetarium (2021), for piano and strings

Death is What You Embrace With (2020), for wind orchestra

Garden Sketch (2018), for string orchestra, vibraphone and percussion

 

Chamber (Western)

Invocation (2021/2023), for string quartet

Peculiar Voices (2023), for string quartet

(de/re)construction (2023), for piano 4 hands

Overcast Skies (2023), for flute, clarinet in Bb, percussion, piano, violin and cello

In Extremis (2022), for string quartet 

Sensical Nonsense (2022), for alto saxophone, horn in F, cello, and 2 sopranos

In Breezes and Gusts (2021), for flute doubling alto flute and cello

Antithesis (2021), for 2 violins

Acrimonies (2020), for clarinet in Bb and viola 

Undine (2020), for clarinet in Bb, violin, cello and percussion

When Light Vanishes (2020), for string quartet

Elements Garden (2019), for 3 percussionists

They are at Rest (2019), for flute, horn, vibraphone, percussion, piano, and string quartet

Drunken Dance (2019), for clarinet in Bb, piano and cello

Silent Spring (2018), for clarinet in Bb, flute, violin, cello, vibraphone and piano

Shōrin-zu (松林図) (2018), for string quartet

Anemoi (2017), for piano, violin and cello

 

Chamber (Chinese and mixed)

Kei4 (祈) (2022), for shakuhachi, erhu, cello, piano and live electronics

獨步雪原 (Walking Alone in Snowfield) (2020-21), for chamber Chinese orchestra

晨曦總會來臨 (2020) for chamber Chinese orchestra

花盛 (2020) for Qudi, Erhu and Zhongruan

幻蜃 (Mirage) (2020), for sheng, pipa, zhongruan, percussion, erhu, gehu

Windchaser (2019), for Sheng, Violin and Cello

夢醒之時 (Awakening from Dream) (2019), for qudi, yangqin, erhu and gehu

A Night Between Woods…and Melancholy (2019), for (western) Flute, Yangqin, Liuqin, Zhongruan and Guzheng

 

Choral

The Instinct of Hope  (2021), for SATB a-cappella 

還有行李要帶走嗎?(Are There Still Luggages to be Brought?) (2021), for SATB choir and piano

When Lilacs Last in the Dooryard Bloom’d (2021), for SATB ensemble, piano and media

Dramatic

Utopia (2022), a micro-opera

Electroacoustic

Unknown Territories (2023), for erhu and live electronics

Beyond 88 (2023), stereo fixed media 

Improvisations (2023) for live electronics and audiences

AI Project (2022) for alto saxophone and live electronics 

Adult Becoming (2022) for solo cello and live electronics

Solo

Autumn Snow (2023) for solo classical guitar

As Moonlight Shivers (2023) for solo clarinet in Bb

​The Other Me (2022) for solo snare drum

Sketches (2021), for solo piano 

Freesia (香雪蘭) (2021), for solo erhu 

Meditation - Clear Mirror Still Water (2021), for solo flute

Shimmering Tides (2020), for solo cello 

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