Matthew Lam.Composer
For score purchases and rentals, please contact me by email (matthewlam7854@gmail.com)
Orchestral
Glitch Machine (2024), for sinfonietta
Grains (2024), for orchestra
Our War (2022), for orchestra
Planetarium (2021), for piano and strings
Death is What You Embrace With (2020), for wind orchestra
Garden Sketch (2018), for string orchestra, vibraphone and percussion
Chamber (Western)
Garden of Mists (2024), for 4 percussionists
Invocation (2021/2023), for string quartet
Peculiar Voices (2023), for string quartet
(de/re)construction (2023), for piano 4 hands
Overcast Skies (2023), for flute, clarinet in Bb, percussion, piano, violin and cello
In Extremis (2022), for string quartet
Sensical Nonsense (2022), for alto saxophone, horn in F, cello, and 2 sopranos
In Breezes and Gusts (2021), for flute doubling alto flute and cello
Antithesis (2021), for 2 violins
Acrimonies (2020), for clarinet in Bb and viola
Undine (2020), for clarinet in Bb, violin, cello and percussion
When Light Vanishes (2020), for string quartet
Elements Garden (2019), for 3 percussionists
They are at Rest (2019), for flute, horn, vibraphone, percussion, piano, and string quartet
Drunken Dance (2019), for clarinet in Bb, piano and cello
Silent Spring (2018), for clarinet in Bb, flute, violin, cello, vibraphone and piano
Shōrin-zu (松林図) (2018), for string quartet
Anemoi (2017), for piano, violin and cello
Chamber (Chinese and mixed)
Kei4 (祈) (2022), for shakuhachi, erhu, cello, piano and live electronics
獨步雪原 (Walking Alone in Snowfield) (2020-21), for chamber Chinese orchestra
晨曦總會來臨 (2020) for chamber Chinese orchestra
花盛 (2020) for Qudi, Erhu and Zhongruan
幻蜃 (Mirage) (2020), for sheng, pipa, zhongruan, percussion, erhu, gehu
Windchaser (2019), for Sheng, Violin and Cello
夢醒之時 (Awakening from Dream) (2019), for qudi, yangqin, erhu and gehu
A Night Between Woods…and Melancholy (2019), for (western) Flute, Yangqin, Liuqin, Zhongruan and Guzheng
Choral
The Instinct of Hope (2021), for SATB a-cappella
還有行李要帶走嗎?(Are There Still Luggages to be Brought?) (2021), for SATB choir and piano
When Lilacs Last in the Dooryard Bloom’d (2021), for SATB ensemble, piano and media
Dramatic
Utopia (2022), a micro-opera
Electroacoustic
Unknown Territories (2023), for erhu and live electronics
Beyond 88 (2023), stereo fixed media
Improvisations (2023) for live electronics and audiences
AI Project (2022) for alto saxophone and live electronics
Adult Becoming (2022) for solo cello and live electronics
Solo
Autumn Snow (2023) for solo classical guitar
As Moonlight Shivers (2023) for solo clarinet in Bb
The Other Me (2022) for solo snare drum
Sketches (2021), for solo piano
Freesia (香雪蘭) (2021), for solo erhu
Meditation - Clear Mirror Still Water (2021), for solo flute
Shimmering Tides (2020), for solo cello