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Born and raised in Hong Kong, Matthew Lam is an active composer and an enthusiast of contemporary music style. His goal is to explore and experiment on a wide array of sounds and timbre, especially with contemporary instrumental techniques and live electronics. 

Lam is currently Hong Kong Composers’ Guild’s Emerging Composer Fellow. Winning multiple awards, his works were featured in various festivals and conferences, including June in Buffalo (USA), International Rostrum of Composers (2023: Netherlands), MUSLAB (2023: Ecuador), Nanhua University International Symposium of Contemporary Music Research (Taiwan), soundSCAPE Festival (Italy), Connecticut Summerfest (USA), SCI National Conference (USA), Toolbox International Creative Academy (HK), and Hong Kong Contemporary Music Festival (HK). 

His works were played by various groups, including the Mivos Quartet, Del Sol Quartet, [Switch~ Ensemble], Mise-en Ensemble, Toledo Symphony, Du.0, Cong Quartet, NEXUS Ensemble, Toolbox Percussion, Chung Chi Wind Orchestra, and the Hong Kong Chinese Orchestra. 

Lam earned his Bachelor of Arts in Music with first class honours from the Chinese University of Hong Kong, where he had worked with Prof. Wendy Lee, Prof. Kai-Young Chan and Dr Hau-Man Lo, and completed his master’s studies in composition with Dr Marilyn Shrude, Dr Mikel Kuehn, and Dr Christopher Dietz at Bowling Green State University. He will commence his doctoral studies at Eastman School of Music this fall. 

林俊熹是一位活躍的作曲家,他熱衷於現代古典音樂,且經常發掘及實驗新風格和技巧,尤其現代樂器技巧和現場電子音樂。

 

林氏贏得了不同獎項,而他的作品曾於June in Buffalo (美國),International Rostrum of Composers (2023: 荷蘭),南華大學當代音樂研討會與座談 (台灣),soundSCAPE Festival (意大利),Connecticut Summerfest (美國),SCI National Conference (美國),國際共襄創意學院 (香港),香港當代音樂節 (香港) 等多個不同場合演出。

 

他的作品亦被香港中樂團, Mivos Quartet,Del Sol Quartet,[Switch~ Ensemble],Mise-en Ensemble, Toledo Symphony, Du.0, Cong Quartet,滙·亞洲室樂團,崇基管樂團和敲擊襄不同團體演奏。

 

林氏於香港中文大學取得學士學位(甲等榮譽),師隨陳啟揚教授,盧厚敏博士,和李允琪教授,並於鮑林格林州立大學修畢作曲碩士,師隨Marilyn Shrude, Christopher Dietz和Mikel Kuehn。本年秋季,他將於伊斯曼音樂學院修讀作曲博士。

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